Degas’ Fourteen Year Old Dancer

Thank you, Christie Wyman, for hosting Poetry Friday this week. Check out this week’s poetry offerings at her blog, Wondering and Wandering.

I miss New York City. When we used to visit our son, which we can’t do now, we would stroll though Central Park on the way to the Metropolitan Museum of Art.

We like to revisit pieces of art, such as Isis from the 2nd century A.D, Egypt during the Roman period. Today we wear much less head gear and more clothing. I usually encounter her as I try to make some sense of the time periods in the Egyptian wing.

And I never miss one of my favorite sculptures. It’s by Edgar Degas, Little Dancer Aged Fourteen who stands as unapologetic as Isis. Little Dancer has had a fascinating evolution as a work of art.

In 1881, (image, below, on the left) she was Degas’s first and only sculpture ever presented to the public at the Paris impressionist exhibition. It caused a stir. This likeness of a poor lower class ballerina, was made of tinted beeswax, wore a wig of human hair, a cotton bodice, linen slipper and a cotton-silk tutu. It is beloved today, but because of strange materials used to make the piece and the modern subject, it was considered ugly and repulsive by critics. She was threat to the art world’s status quo.

In 1917, with Degas’s death, the wax was replaced with bronze and over the years the curators of the Met have replaced the tutu three times either because it had deteriorated or they were unhappy with its look.

I discovered a fascinating video found here about the design of the last tutu by curator Glenn Petersen. Through his historical research he created a skirt like those worn by ballerinas in Degas’s time, in length and composition.

I love her proud pose and she seems as courageous as she was vulnerable to the whims of others.

I wrote this for her:

LITTLE PARIS DANCER

Inspired by Degas’s LITTLE DANCER AGED FOURTEEN
Paris, sixth Impressionist Exhibit 1881


With face towards the sky
shoulders back, hands clasped
Little Paris Dancers
did what was asked.

In short steps you scurried, 
a petite “opera rat”
“Your likeness is ugly!”
They used to say that.

Too poor to rebel,
lose your job if you do,
and can't trust the men
who act kindly towards you.

But the last word is yours,
there you are, at the Met,
in a stunning tutu,
beloved, no threat.

© Janice Scully 2020 (draft)

I’ll close with a poem about a dancer by Sir John Suckling (1609-1641). It reminded me of Paris’s little “opera rat.”

At a Wedding
Sir John Suckling

Her feet beneath her petticoat
Like little mice, stole in and out,
As if they feared the light.
And oh! She dances such a way
No sun upon an Easter day
Is half so fine a sight.

Enjoy Poetry Friday as we all continue at home making virtual trips and imagining a new and better future as we dance forward after Covid 19.

PROGRESSIVE POEM, Day 21

Greetings on this Tuesday! This is my first time participating in the Progressive Poem, which was founded in 2012 by Irene Latham at Live Your Poem. I think it’s an awesome project and has been so much fun to follow. This year it is hosted by Margaret Simon at Reflections on the Teche. Thanks to both of you.

This poem has a dramatic feel. It’s a story that begins with the “I” of the poem setting out very early, just before dawn on a spring day with provisions and a banjo. The setting is gorgeous and evolves with every line. There is constant movement forward. As we get deeper into the wooded and grassy journey, the sun awakens everything along the path, the trees, the bees.

Then something happens at the beginning of the fourth stanza and that action/scene continues. I spent hours thinking about how to move forward and I hope Julieanne likes one of my options.

Thank you, Rose Capelli for giving me two interesting lines to choose from:

Safely exiting this strange ballet

or,

My heart aware, content to share.

Progressive Poem 2020

Sweet violets shimmy, daffodils sway
along the wiregrass path to the lake
I carry a rucksack of tasty cakes
and a banjo passed down from my gram.

I follow the tracks of deer and raccoon
and echo the call of a wandering loon.
A whispering breeze joins in our song
and night melts into a rose gold dawn

Deep into nature’s embrace, I fold.
Promise of spring helps shake the cold
hints of sun lightly dapple the trees
calling out the sleepy bees

Leaf-litter crackles…I pause. Twig snaps.
I gasp! Shudder! Breathe out. Relax…
as a whitetail doe comes into view.
She shifts and spotted fawns debut.

We freeze. My green eyes and her brown
Meet and lock. Time slows down.
I scatter the cakes, backing away
Safely exiting this strange ballet.
I figure that my line has to move the poem forward, past the doe and fawn. So here are the two lines I offer to Julieanne:


I continue the path that winds down to the lake.

or

I shake from my rucksack sweet sticky crumbs, 





2020 Progressive Poem

1 Donna Smith at Mainely Write
2 Irene Latham at Live Your Poem
3 Jone MacCulloch at deowriter
Liz Steinglass 
Buffy Silverman
Kay McGriff 
7 Catherine Flynn at Reading to the Core
8 Tara Smith at Going to Walden
9 Carol Varsalona at Beyond Literacy Link
10 Matt Forrest Esenwine at Radio, Rhythm, and Rhyme
11 Janet Fagel, hosted at Reflections on the Teche
12 Linda Mitchell at A Word Edgewise
13 Kat Apel at Kat Whiskers
14 Margaret at Reflections on the Teche
15 Leigh Anne Eck at A Day in the Life
16 Linda Baie at Teacher Dance
17 Heidi Mordhorst at My Juicy Little Universe
18 Mary Lee Hahn at A Year of Reading
19 Tabatha at Opposite of Indifference
20 Rose Cappelli at Imagine the Possibilities 
21 Janice Scully at Salt City Verse
22 Julieanne Harmatz at To Read, To Write, To Be
23 Ruth at There is no such thing as a God-forsaken town
24 Christie Wyman at Wondering and Wandering
25 Amy at The Poem Farm
26 Dani Burtsfield at Doing the Work That Matters
27 Robyn Hood Black at Life on the Deckle Edge
28 Jessica Bigi at TBD  
29 Fran Haley at lit bits and pieces
30 Michelle Kogan

Fits and Starts of Spring

It’s Poetry Friday! Thank you Molly at Nix the Comfort Zone for hosting. Stop by and when you do, check out her photographs of birds and much more on her previous post as well. They are quite beautiful.

I have two poems to share today, but just as I was searching for another poet’s work to spice up my post I received this card from a second grade student named Andrew from the Poetry Project in Happy Valley, Oregon. It made my day that had included a brief local power outage while I was about to put bread in my electric oven. Anyway, all that resolved and I can’t wait to share Andrew’s poem! Was it a coincidence that my husband and I had pizza for dinner?

Spring is coming to Syracuse, N.Y. in fits and starts. My forsythias this morning were blanketed overnight:

Change of course is the only thing we can depend on. It comes no matter what, and is determined as a main character, in a middle grade novel. Strong and persistent.

In many things, there is no clean break with what came before. Think seasons, kids growing up and adults aging. Change reveals our humble place on the planet, our part in something bigger.

The seasons here in Syracuse change like the flow of cold molasses. Seasons moves forward as if ambivalent. Spring to summer, summer to fall, fall to winter, and winter to spring takes weeks, even months.

So, with all the time I now suddenly have on my hands, I’ve been watching closely out my window and on long walks, spring approaching with its fits and starts, stepping forward and then backward. Below is a tanka and a short free verse poem inspired by this week’s weather.

SPRING CAUTION 

Trees wear snow today,
coating limbs way past elbows,
halting the lilacs.
I suspect spring was frightened
by yesterday's hyacinths. 

© Janice Scully 2020

And another inspired by a sideways windy day this week:

WINDY TUESDAY

The wind ebbed
and flowed through the trees
like a witch
with lips pursed blowing,
cheeks big as balloons
starting and stopping,
unsure if she 
wanted company or
to scare everyone away.

© Janice Scully 2020

I hope everyone is enjoying the amazing progressive poem organized by Margaret Simon at Reflections of the Teche. It’s been really interesting to see the choices the poets are making. Thank you, Molly, for hosting Poetry Friday this week!

A Stay Safe Twitter Campaign

Thank you Amy Ludwig VanDerwater for hosting this week’s Poetry Friday! Please check in with her at The Poetry Farm where you will be rewarded, as usual, with poetry and her inspiring and insightful thoughts about poetry. She possesses a remarkable wealth of talent.

Yesterday daffodils
Today forsythias.

The forsythia is wonderful news this week, along with my family’s good health.

Today, I would like to tell Poetry Friday authors who have the time, that there is a Twitter campaign afoot to encourage young people to stay in place and stay safe. Kids need encouragement to take social distancing seriously in order to save lives.

Thank you, Padma Venkatraman, a fellow contributor in THANKU: POEMS OF GRATITUDE and the author of THE BRIDGE HOME, for launching this hashtag campaign! Padma is requesting that authors take a selfie of themselves with one of their books, and post with it a message. It can be written on a post-it stuck on the book. Padma reminds us of the many kids who might be homeless. Your message might be “Stay safe. Shelter in place. Stay safe” or whatever message you like. This is not a marketing opportunity, just a chance to encourage kids.

Kids are “looking for guidance from people they trust: celebrities, athletes, teachers, authors.” Hashtags include: #AuthorsTakeAction, #TakeShelterInStory, #socialdistancing, #thankyoufirstresponders.

If you have the time, check out these hashtags to see what some authors have done.

Below is a cinquain addressed to the very infectious Covid 19 virus. It’s a weak plea. It cannot be heard by this bundle of RNA, this dreadful highjacker looking for a host. Once it gets in a nose, eye or mouth, it takes over the DNA in normal cells and replicates efficiently, like a house fire

Virus.
Dumb, blind pirate,
accidentally conceived,
on the wind in search of a home-
Please leave! 

Stay safe and well, everyone.

First Things

It’s Poetry Friday and I hope everyone is well. Thank you Heidi Mordhorst for hosting. I found her list of “Quarantine Questions”from last week’s Poetry Friday a useful way to approach each day. So thank you, Heidi, for that.

“What am I grateful for today?” is the first question on Heidi’s list of Quarantine questions. Today, that answer was easy. I’m grateful that my family is well.

Two days ago, my son, Phil, who lives in Manhattan, called to say he developed a fever, some chest congestion. He rarely gets sick. My husband and I stayed calm but were horrified, imagining he’d get sicker, even though our son is young and healthy. But, of course, that’s no guarantee. Hearing my son had such symptoms was the first time I felt this pandemic in such a scary way.

Fortunately, the following day, which was April first, and coincidentally Phil’s birthday, he felt better and the next day better still. I have to assume he had a mild case of Covid 19; it’s not easy to find out for sure. But it seems he’ll be fine.

I attended to the other things further down on Heidi’s Quarantine Questions list such as exercising, keeping in touch with friends, and trying to create something in spite of the distractions. I made broccoli soup and planned an apple cake for later.

Then, along my driveway, I encountered another first. My first daffodil was in early bloom and it inspired this short poem.

THE FIRST DAFFODIL

Ten others will come,
buttery yellow,
faces krinkled and new,
gregarious fellows.

But one arrived early,
for the week or two stay,
and saved me from waiting
one more lonely day.

© Janice Scully 2020

Thank you for stopping by! Make sure you stop and see what Heidi has in store this Poetry Friday.

NURSES

It’s time for another Poetry Friday, this week hosted by Tabetha Yeats. Thank you, Tabetha for hosting.

This week I want to touch on something that is close to my heart, and that is the profession of nursing. My mother, Betty Scully, was a nurse who trained in Binghampton City Hospital during World War II while my father was overseas. Though she left nursing to raise children and work in our family’s restaurant, she was always a nurse, ready to cure my frequent bouts of Strep throat (and cause a little dread) with her glass syringe and penicillin. She’d give neighbors their prescribed injections, such as vitamin B12, in our restaurant kitchen where she alway wore white nurses’ shoes. Her nursing skills gave my mother, in my eyes, a certain power.

Betty Scully early 1940’s

During this Covid 19 epidemic, I admire and am so grateful for all nurses, especially those on the front lines. Nursing is more technical and of course different than it was for Clara Barton, who nursed soldiers during the Civil War, before ICU’s, drugs and electronic medical records. But nursing’s ultimate mission is unchanged: to heal and comfort the sick.

Clara Barton

This poem by Rosemary and Steven Vincent Benet from “A BOOK OF AMERICANS,” a book for young readers, celebrates Clara Barton:

Clara Barton
by Rosemary and Steven Vincent Benet

Brave Clara Barton
Stood beside her door,
And watch young soldiers
March away to war.

"The flags are very fine," she said,
"The drums and trumpets thrilling,
But what about the wounds
When the guns start killing?"

Clara Barton went to work
To help keep men alive,
And never got a moment's rest
Till eighteen-sixty-five. 

She washed and she bandaged,
She shooed away the flies,
She hurried in nurses,
She begged for supplies.

Read the rest here

I’m also an admirer of Florence Nightingale, who was an indefatigable bedside nurse, but also a statistician, scientist and fighter for public health. She came from a wealthy family and dismayed her mother with her determination to be a lowly nurse or any career at all. But she would confront any obstacle to become a nurse.

When the British military doctors plunged into the war against the Russians in Crimea in 1850, they didn’t prepare adequately for war injuries. They also never considered the infectious diseases that soldiers, weakened by poor food, poor shelter and bad water, would encounter. From the beginning, military leaders resented bitterly her interfering in the health care of soldiers. Still, she persisted, determined to do her part to help.

Florence Nightingale spent several years with a crew of nurses in Crimea stuffing mattresses, making beef tea, and keeping notes, collecting public health data. Then, she returned to England with her knowledge of sanitation and health and improved the hospitals at home. She made a such a difference that she became the second most popular woman in England after Queen Victoria, so popular that the men who ran the government and were loath to listen to her, had to. She improved not only England’s hospitals but the sewers, too. She was a public health pioneer. Her sister wrote of her, “She is ambitious–very, and would like . . . to regenerate the world.”

Florence Nightingale

Today we sense tension between public health experts and the government. When we hear some of our leaders denying inconvenient facts, one only has to think about the lessons learned from luminaries such as Florence Nightingale. Here’s my brief impromptu tribute to her:

From Crimea to England: Florence Nightingale
 
 Dig wells for clean water.
 Insulate cold huts.
 Fresh meat, no more gristle,
 bandage all cuts. 
 

 Soldiers died of disease,
 much less from the guns.
 She collected the data,
 her life's work begun.
 

 A one woman think tank,
 back home she would start
 to improve England's health
 with her numbers and smarts. 

Daffodils

Happy Poetry Friday! It’s helpful to the spirit to share poems at a time like this.

Michele Kogan is our host today so stop by her website. You will find not only wonderful spring poetry from the recent issue of Michele Heinrich Barnes’ Today’s Little Ditty, but also Michele Kogan’s paintings full of flowers that are sure to take the sting out of current times.

I love daffodils. Many do, of course. In the early 19th century, William Wordsworth took a walk with his sister in England’s Lake District. There, he was inspired by Wild Daffodils to write one of the most well known poems about this stunning yellow flower ever written in the English language.

I WANDERED LONELY AS A CLOUD
by William Wordsworth


I wandered lonely as a cloud

That floats on high o'er vales and hills,

When all at once I saw a crowd,

A host, of golden daffodils;

Beside the lake, beneath the trees,

Fluttering and dancing in the breeze.

                (Read entire poem here)

But even though I love daffodils, I found that I actually didn’t know any facts about them. The scientific name for the wild daffodil is Narcissus Pseudonarcissus. I grows from a bulb but I was unaware that the flower made seeds that can produce a flowering plant within a decade.

Narcissus Pseudonarcissus or Wild Daffodil

I also didn’t know that the bulb and leaves happen to be poisonous. They contain the alkaloid lycorine which causes nausea and GI distress. According to a BBC report a class of 30 primary school children learned this first hand while they made vegetable soup as a class project. Because a daffodil bulb was mistaken for an onion, 12 kids were sent to the hospital. But the story ended happily. None were seriously ill.

The freedom I feel walking outside is irresistable, especially now. Today I spied daffodils breaking the soil.

Daffodils are ubiquitous here in Upstate New York. That’s because deer do not eat them (because their poisonous?) and with so many deer sharing our space, most gardeners plant flowers that won’t tempt them.

It takes some chutzpah, I think, to break through the soil not knowing what waits on the other side. Today it was clear skies for these dependable, brave, yearly visitors to our world.

Though blind, green shoots crack
muddy soil--What's ahead
courageous flower?

I hope everyone can get outside in a safe place and enjoy the weekend. Thank you Michelle Kogan for hosting!

Self Portrait

It’s another Poetry Friday, this week hosted by Matt Forrest Esenwine at Radio Rhythm and Rhyme. Thank you, Matt, for hosting!

I hope everyone in the poetry universe is healthy and well. I am supposed to attend a Highlights poetry workshop in a week, led by Gail Carson Levine. Only ten people have signed up and I suspect that it will not be cancelled, but who knows? I have been so looking forward to it. Fingers crossed. It’s an uncertain time, for sure.

Meanwhile I have a short post for this week. I’ve spent way too much time with the news, thinking about my sister in California and my son in New York City.

My oldest son, Philip, was supposed to be born on April 4th. But I never made it, and he was born early on April Fool’s Day, which he found to be a delightful birthday. Maybe that’s why he was blessed with a good sense of humor. Anyway, since it will be April soon, I will celebrate him by posting a self portrait he painted in fourth grade and a poem I wrote inspired by it. Of course, being Phil’s Mom I hardly look at the painting with objective eyes, but I’ve always loved this self portrait. It makes me smile.

Philip’s self portrait.

SELF PORTRAIT
 

 It’s a painting from school, 
 a picture of me
 displayed in our house
 so my family can see. 
 
 Not happy or sad,
 what does that boy think?
 He stares into space
 and never a blink!
 
 He used to be me,
 the boy I was then.
 Maybe it's time
 to paint me again. 

©Janice Scully 2020

To end, check out and enter the NPR ekphrastic challenge. Kwame Alexander has chosen two paintings. Choose one that speaks to you and write a short poem inspired by it. Your poem might win and your words just might be heard on NPR.

Letters to Home from Vietnam

My brother, Jim, was flying to Vietnam just as astronauts Armstrong, Aldrin and Collins were hurling towards the moon on Apollo 11. It was July 1969 and Jim had just turned twenty. He spent a year in combat and his platoon was attached, at least part of the time to the 173rd Airborne Brigade. I was sixteen, and to say the least, naive about what dangers he was about to face. My parents never discussed politics or the war, but I remember my mother sending packages of bread, socks, batteries, candy and other things he requested. I had no idea Jim wrote letters to my parents, until he passed away last year after a long difficult illness.

When attended his memorial service in California I was delighted that his wife, Cindy, shared with me a packet of letters from Jim to my parents. I was amazed to receive them, read every word and transcribed them. As children, Jim was fun and sweet. I saw that again in the letters. He used to tease me like big brothers did, and I remember how determined he was to grow his hair long and wear bell bottoms in high school, which my father railed against.

I was so grateful to see his handwriting and to read his sentences. He was a very good writer who thought about details. It was touching how much he depended on “goodies” sent from home. He talked about his duties as a soldier, as well as his fears and longing for home. This is an ending of a six page letter:

Page 6

I'm expecting these packages any day now. Wish they'd hurry up and get here. I'm getting hungry for some decent food from back in the world. I really look forward to the goodies. 

Well that's about all for now. I gotta go clean my mortar and get ready to fire tonight. I'll write a few lines tomorrow. Love, Jim

I have written poems based on his letters and it’s helped trigger memories about my family. The letters seem to lend themselves to poetry and I’ve thought a lot about what it means to take his words and rework their form, adding line breaks and pauses. How could they be part of a memoir of that year from my point of view as a high school senior? Or a fictionalized novel in verse? I’m not sure what this will evolve into, but it’s been meaningful to me.

I’ll share one of many.

QUIET NIGHT IN VIETNAM, 1969
 

 There’s nothing happening.
 I worry it’s so quiet. 
 
 This fire base hasn’t been hit
 in over 30 days, but
 before that, 
 it was hit
 two or three
 times a night.
 
 My C.O. said this
 place has taken more
 enemy rounds
 than any place in Vietnam
 except Ben Het. 
 
 That’s hard to believe
 because
 it’s so damn quiet. 
 
 One of these days 
 I’m gonna leave this place
 forever
 and it will be behind me
 for good. 

 And I wonder how I’m gonna act. 
 
 ©Janice Scully 2020
Jim, Cindy and baby Jim in the 1970’s.

Welcome to Poetry Friday! Rebecca Herzog is our host at Sloth Reads.

Charleston, a City of the Past and the Present.

Before I begin, congratulations to Kay McGriff, the winner of last weeks giveaway! She will soon receive a copy of David L. Harrison’s AFTER DARK. Enjoy!

My husband, Bart, and I traveled to Charleston, S.C. last weekend for a family wedding. It’s a beautiful, gracious city, full of friendly people. As a tourist, I felt caught between two worlds, the Antebellum South and today.

If you enjoy old things, there are many to see in South Carolina, beginning with the trees. Everywhere are lovely live oak trees with long spiraling limbs and hanging Spanish moss. This live oak has a name, “Angel Oak” and is said to be about five hundred years old!

“Angel Oak”

Slavery was presented honestly at tourist sites. Charleston was the center of the domestic slave trade after the importation of slaves was banned in 1807.

We visited the Slave Mart Museum on Chalmer’s street, where visitors see and hear the disturbing details involved in selling men, women and children.

The Old Slave Mart Museum

We saw the brick and pastel antebellum houses on a walking tour, then drove to the Middleton Place, a plantation 30 minutes away, where the horses, goats, pigs, and the chickens below have a very leisurely life, as the wealthy Middletons who once lived there did.

Middleton Place plantation.

An alligator lounged fifteen yards away by a stream, but I didn’t get close enough to snap a shot.

At this upstairs Confederate Museum in downtown Charleston, curated by the Daughters of the Confederacy, I saw small and dusty uniforms that were made for the physically smaller men of that time. I saw rifles, buttons, bullets, letters from soldiers, army cots, etc. The mission, according to a woman I spoke to, is to pay respect to Confederate soldiers. Small Confederate flags were on sale for a dollar. I didn’t buy one, though I paid eight dollars to get in.

The upstairs museum is run by the Daughters of the Confederacy.

Robert E. Lee had his own special room:

Robert E. Lee Room at the Confederate Museum

Before I left, I rode past the Mother Emmanuel AME Church, a beautiful white church which was the site of the horrific shooting in 2015. Out of respect, I didn’t take a photo. The church is a not far from where the Democratic debate was about to take place on 2/26/20.

In the Charleston Market and in museum gift shops, beautiful, sturdy and expensive sweetgrass baskets were sold. This is a Gullah tradition, originating in West Africa. When I saw the skill it takes to make one one of these baskets, I understood why they cost so much. At a park gift shop, a woman was weaving a basket and she inspired this poem:

 WHAT IS IS WORTH? 
 
 Charleston is the second most preserved
 city in the world, 
 next to the Vatican,
 the tour guide said.
 
 See the pastel and brick antebellum mansions
 with side porches to catch cool breezes,
 built by slaves.
 
 See the plantation mansion and gardens,
 the two man made lakes shaped like 
 butterfly wings,
 built by slaves.
 
 See St. Philip’s Episcopal church-
 The towering corinthian columns 
 private family pew boxes, 
 were rebuilt by slaves 
 after the fire in 1835.
 
 Today, a black woman weaves
 sweetgrass baskets
 like her ancestors,
 at a gift shop, 
 her face impassive.

 She bends and sews
 the stiff uncooperative grass,
 just so with her needle,
 securing each row
 one by one till the
 basket is done. 

 Tourists pass by
 whispering about
 the high cost
 of her work.
 
© Janice Scully 2020

Thank you, Karen Edmisten, for hosting Poetry Friday today. Please stop by and check out her post about February and the poem she is sharing this week.